Setu's account of Kolkata is delightedly sincere and not superfluous cinematography - the dynamic colours and the simplicity of the artless lanes of Kolkata, admiringly, have not been lost in rhetoric black and white. The same forthrightness has mirrored to a huge extent in Suresh Nair and Sujoy Ghosh's masterful and impressive narration of Bagchi's fable of lost and deeply lost until found.

Vidya Bagchi's (Vidya Balan) hunt for her lost husband Arnab Bagchi (Indraneil Sengupta) brings her down to Kolkata from London. With a seven-month old baby magnifying her power, an infinite exploration of the byways of Kolkata with the help of a local policeman Satyoki Sinha (Parambrata Chattopadhyay) begins. Disordered links and remainders of Vidya's past conversations with Arnab are her fragile hopes. Undeterred, the firewall specialist rummages through the tightly encrypted codes of the mystery, webbed by even more securely encrusted faces.

The refreshing combination of Parambrata and Balan and the motley of emotions and the ease with which they exude them in "Kahaani" make for an outstanding watch. Balan's ability to tailor her sentiments - sympathy, anger and despair - multiplies the strength of her character. The swiftness of the movie leaves no time for the audience to mentally prepare for an upcoming situation. While Vidya accepts herself as "Bidya"in the City of Joy, gifts a chocolate to the kid in the lodge and breaks the lock of National Data Centre; the contract killer Bob Biswas (Saswata Chatterjee) playfully murders people and Khan (Nawazuddin Siddiqui) smokes out his dedication towards his work besides a mouthful of white air.

Just when a wide array of emotions are at their peak and the frantic search is riding high, Amitabh Bachhan's rendition of Tagore's famous song "Jodi tor dak shune" transfers the mood to a completely different level. The festive mood of the city, the preceding and the succeeding of it, the red of sindoor and the expressions of the idols of Durga have been phenomenally well-utlised in the movie.

Balan is a breeze of fresh air in Bollywood, which is suffering from the curves of furniture heroines and "Kahaani", another robust step after the recent "The Dirty Picture" towards reinforcing the position of heroines in a traditionally hero-driven Bollywood. The subtlety with which the soul of the city has been interlaced in the screenplay, while not losing grasp on the flow of the story even for a moment, is a testimony of effectual storytelling.

There is not a single scene in the movie where Parambrata has been overshadowed by the presence of Balan. His acting skills are distinctly sharp and flowing. Sujoy Ghosh's choice of actors for the various characters in "Kahaani" has made an immense contribution towards the kind of impact it leaves on the viewers long after they abandon the theatre.

After all, "Shotti" sounds better as "Shotti", not "Sotti".

The climax, even though prudent and reasonably well-baked, is slightly dramatic and seems to conclude the movie before clearly justifying the actions of Vidya and Satyoki, especially the latter. The momentum of the story towards the end beats its own record and the circumstances merging with the mood of the city seems to be not so much of a coincidence.

Bagchi's "Kahaani" is one of those that would define tougher standards for the forthcoming Fridays. Why on earth would you like to miss the benchmark?

Watch it. Definitely!

Do not listen to what people tell you based on the rumors, go and watch it!! The story is just fantastic!! A lot of thought has been put into every minute detail of the movie!! All of it to culminate in an awesome finish. Vidya Balan has as always done her bit perfectly and is supported well by her co-star Parambrata Chatterjee.The cinematography in the initial stages is fair. The direction is legendary. Every single scene has a part to play in the climax. Go watch it \m/. You'll be glued to your seats for sure!! And don't bother to think of what's gonna happen next, cos just like any awesome thriller, you're gonna be proved wrong ;P

Who would expect that someone who directed 'Home Delivery' could create magic. Sujoy Ghosh's 'Kahaani' is a mouth watering treat for any movie lover. Right from the very beginning till the end the tight narrative keeps the viewer on his toes without any hiccups whatsoever. Starring Vidya Balan as Vidya Bagchi(Bidya Bagchi) as a wife who is in search of his husband Arnab Bagchi and in its course arrives in Kolkata all the way from London even though she is pregnant. The story follows her search at the same time playing with your mind with many twists and turns. After a long time have I seen a film in which every actor has given a peach of a performance and thus requires a special mention. From Parambrata Chatterjee who plays the role of inspector Rana who helps Vidya find her husband to Office Khan played by Nawazuddin Siddiqui to even Saaswata Chatterjeeas who plays the serial killer Bob every one is brilliant. I am really looking forward to more actors from the Bangla film industry to shine in Bollywood. The script is tight with loop holes you don't even bother worrying about and to add to that the haunting background score that gives you the true feeling of a thriller. Though it awkwardly seems a bit longer than its 2 hour running time I still won't mind watching it again. And yes Vidya Balan our very own Meryl Streep is almost certain to get another filmfare and national award. Of course the year has just started but i might just be disappointed if she doesn't get it. Ha! really satisfied with Kahaani.

7.5/10 for Kahaani and another 0.5 for the collective acting performances of the cast. Audience which included a lot of family and friends - 3.5/5