This film is the comic version of "The Bodysnatcher" or "Mania". It's Burke and Hare with a sense of humor.

Vincent Price actually made quite a number of film comedies, such as "Champagne for Caesar". He is actually quite good in using his normal menace and meanness for comic affect. He is Mr. Trumbull, the junior partner (but actually the active partner) of a decaying firm of undertakers. Trumbull has no single redeemable characteristic - he's bossy to his father-in-law partner (Karloff), he's bossy to his wife, he mistreats and bullies Lorre (his employee), and he kills his subjects. Still some of his problems are sympathetic ones - his wife Amarylis sings at the funerals (listen to her warble "He is but sleeping" at Rathbone's funeral service - Price looks beatific as she sings, and when asked why he explains he hopes her vocal chords will snap). The number of good one liners in this film (spread among the leads) is nice. Karloff being unable to deliver a coherent funeral address, because he can't recall who is being buried. Rathbone dying, again and again, reciting Macbeth. Joe E. Brown wishing the corpses in his cemetery a pleasant night's sleep. And Lorre constantly making comments regarding his unpleasant boss. One of the best is when, at Rathbone's funeral, Price is enjoying the sight of the large amount of money he's being paid for the funeral of Rathbone (whom he hated as a tightwad and landlord). Lorre, noting the arrival of most of the mourners, goes inside to tell Price, who basically tells him they can just wait. Lorre turns around and leaves, stating quite audibly, "Ungrateful employer." The line is delivered like it comes from some left wing play of the turn of the 20th Century.

It is a funny little movie, and well worth watching.

Fun horror/comedy with an exceptional quartet who provides much fun : Price , Karloff , Lorre and Rathbone . Amusing , delightful film produced by American International , James H. Nicholson-Samuel Z. Arkoff , with a monumental team of terror all-star-cast as Price , Lorre and Karloff . This supreme adventure in terror and humor based on the novel and screenplay by Richard Matheson deals with two deranged undertakers (Vincent Price and Peter Lorre) who take bad ways to insuring their continued employment , a Funeral Parlor called ¨Wichley and Trumbull¨. A lugubrious undertaker who hasn't had any customers in a long time is obligated the pay one year's back-rent by his landlord (Basil Rathbone) . Then the wickedest undertaker Waldo Trumbull and his unfortunate , frog-like associated named Felix Gillie to get money and both of whom begin killing people in order to get new clients . The couple goes to a mansion in Winkle Road inhabited by an old man and carry out their objective . There also appears Price's chalk-white father-in-law (Boris Karloff) aged about 90 , but refusing to die and leave Waldo the Funeral Parlor . Trade is so bad that Waldo and his underling have to go out and boost business by killing his immortal landlord . It gets funnier when our two friends pitting wills against the relieved landlord . And the end takes place a funny duel between Price and Rathbone.

This is more of a satire than a true terror movie , it is immaculately staged , stylishly realized , very literate , rich in atmosphere , confidently made and plenty of eye-popping scenes . May be one of the most successful terror farces ever realized with a considerable all-star-cast and original invention . Terror has strangely been more skillfully spoofed than in this agreeable horror/comedy Jacques Tourneur directed and realized in glorious fashion . The movie is shot in the same style as the successful adaptation Edgar Allen Poe series , the cycle of ¨Tales of Terror¨, and especially ¨The Raven¨ also with the trio Price , Lorre , Karloff directed by Roger Corman and produced by James H. Nicholson and Samuel Z. Arkoff . That's why it packs usual Corman's striking scenarios including lugubrious mansions , colorful atmosphere , shrieks come from gloomy coffins and gleeful gallery of ghoulishness . Glimmer and brilliant cinematography in magnificence color by the series usual , Floyd Crosby . Frightening and atmospheric musical score fitting to humor and horror by Les Baxter .

The flick based on Richard Matheson's screenplay playing to the spectator in amusing fashion . In spite of his poverty-budget horror is deemed a minor cult and gave enough profit from minimal inversion . The motion picture is produced by American International (James H. Nicholson , Samuel Z. Arkoff) in a low budget and well directed by the classic director Jacques Tourneur in his final feature along with 'Curse of the demon' . Jacques was an expert on terror cinema (Cat people , Curse of the demon , I walked with a Zombie , Leopard man) and adventures (Martin the Gaucho , Flame and the arrow , The pirate woman , City under the sea) . Despite the excessive satire most children and adults will like this enormously fun film . 'Comedy of terrors' is a sensational black comedy that maintains its classicism and reaching impressive dimensions . It will appeal to youngsters and adults who swallow whole and sit convulsed in their armchair and, of course, Vincent Price , Karloff , Lorre fans.

The cast are the high point of this interesting and fun little film. Vincent Price steals the show and is brilliant, and he is supported wonderfully by Peter Lorre whose character spends a lot of time being demeaned by Price and Basil Rathbone, who is a very suave and charismatic actor and his "what place...is THIS?!" is iconic. I was a little disappointed in Boris Karloff, I love him, I liked his character, I liked what he did with it, what let me down in regards to him is that I would have loved to have seen much more of him. My only other complaint is the short length which probably accounts for why the ending was as hectic as it was, otherwise this is a very good film. The cast of course are wonderful, but there is also a deliciously witty and bleak script, a fun story, skillful photography, nice minimalist production values, efficient direction from Tourneur and an interesting sending up of past horror clichés. All in all, I like this film. 8/10 Bethany Cox